Wednesday, March 19, 2014

SPOILER ALERT: [The Walking Dead] S4 Ep14- The Grove

I am not a fan of people who post spoilers, I actually loathe them, being as I live off my DVR.  But, Sunday’s episode of The Walking Dead was really something to write home about!  So if you have not already watched season 4, episode 14, named The Grove, you should go on the interwebz[1] and do that; it is streaming directly on AMC.  This blog is going to contain spoilers.  Basically, I am going to dissect the whole episode.  Really, it was too good not to! So, again, if you have not seen it, only continue reading at your own risk.  This blog is a little longer than usual, but I feel this episode had so much going on, it is hard not to acknowledge and give a preverbal head nod to every detail.

Now that the disclaimer has been put out there several times, let’s get to it.  Sunday’s episode left me completely stunned; mouth agape, can’t believe my eyes, stunned!  Ever since the prison was destroyed, the season has been off to a slow start.  I understand that each story needed to be told separately, as the group is no longer together, and not every story is exciting but does offer necessary details, however the season was inarguably slower paced than the others.  Yet with 3 episodes left in this season, TWD[2] is setting up for some giant cliffhangers and surprises.  What I am liking most about this season, is how all the stories are starting to coincide now and how they each play out simultaneously. 

The episode of The Grove is structured much differently than the others.  While it does see its fair share of zombies, it is less about the cheap thrill of ‘will they or won’t they get eaten by a zombie today’ and more about jaw dropping shock value.  We always knew there was something wrong with Lizzie, but this episode really brings it into perspective.  In the prison Lizzie and the other children were naming the walkers[3], and Lizzie defended her actions saying they weren’t dead, they were just different.  Well, Lizzie, people can be different, but those things just want to bite you to death and use you as their ‘life source.’ 

In The Grove, Lizzie tells Carol how she saved Tyreese’s life in the prison by shooting two people who were going to kill him first; she did specify, however, that her intention was not to shoot them in the head.  To me, that statement alone spoke more than what the words strung together depicted.  She did not want to shoot them in the head because she did not want to ‘kill’ them.  Lizzie believes that walkers are the same as people.   Carol ignores her statement and just commends Lizzie for being so strong and a fighter.  She also tells Lizzie’s sister, Mika, that she needs to be stronger and kill whoever she has to [walker or human] in order to survive.  Mother of the year, that Carol, but she has a very small point.  In the apocalypse, previous societal and moral norms are thrown out the window; like Darwin says, it is not the strongest that survive, but those most willing to adapt.  I am not saying that in the face of apocalyptic chaos you should go on a killing spree, there are still good people out there, but you do need to protect yourself at all costs. 

However, Carol trying to corrupt Mika’s values really annoyed me.  She should have spent more time trying to guide Lizzie, who was off playing with zombies and trying to smother poor baby Judith.  While I think Carol means well, her execution is FAR off.  She is trying to toughen Mika up because she ‘doesn’t have a mean bone in her body’ much like Carol’s deceased daughter, Sophia. . . . Hello, foreshadowing!!  Carol’s view is even if you can outrun a walker, you should know how to defend yourself, because much like Sophia, running is not always enough.  While I can understand and agree with that, Carol is really pushing the line blatantly bullying this little girl and trying to brainwash her into thinking killing people is okay.  Mika was not even comfortable shooting a deer!! Let the girl be soft, she can shoot walkers, something Lizzie cannot, that is good enough to expect from a child.

At the beginning of the episode they show you a ‘flash forward’ scene of a kitchen and outside the window, a girl playing tag with a walker.  It is obvious the only person cray[4] enough to think a walker is ‘playing’ with them is Lizzie, but that isn’t confirmed until later in the episode.  When Carol discovers what Lizzie is doing she runs outside and dispatches the walker, in which case Lizzie has a meltdown.  She goes into a rant how that walker was her ‘friend’ and how would Carol feel if Lizzie killed her?  Well, I don’t know about you, but that statement alone reeks of psychopath.  Still, Carol feels safe enough to leave Lizzie with Micah and Judith and go about her recon with Tyreese.  While they are gone, Lizzie wanders off to feed mice to a walker stuck on the train tracks and Mika follows her.  Not only is this reckless because Lizzie is feeding a walker, but who is watching Judith?!!! She is a defenseless baby! Does NO ONE in the zombie apocalypse have proper parenting skills[5]?! Reckless.
Back to my point . . . Lizzie and Mika are in the woods, exposed, playing with this walker when all hell breaks loose.  Mika is trying to ration with Lizzie telling her that walkers are not ‘different people’ they are just dead.  At this point Lizzie is dangling her hand dangerously close to the walkers mouth in hopes that he will make her ‘different’ and she can show everyone what she means, when several, burned to a crisp[6], walkers come out of the woods to attack.  As the girls go screaming back towards their house they [finally] catch the attention of Carol and Tyreese who now decide they will be of use. 

From the epic amounts of foreshadowing in the episode, and the episode teaser trailer, it was obvious Mika was not going to make it.  So, it was not surprising that as the walkers were advancing  the 2 running girls, Mika trips and her kicking leg is being yanked on by a walker.  Luckily the power duo of Tyreese and Carol (yes, this is complete sarcasm) intervene and [finally] save the day.  It is after this near death experience that Lizzie proclaims she ‘knows what she has to do.’  If you think she means in regards to the walkers, you are in for some more foreshadowing!! She gives Mika this little speech on how she only has to be mean ‘sometimes’…sometimes? SOMETIMES? What is that about?  Oh, don’t worry, you find out momentarily.

Once again, while Tyreese and Carol are out doing absolutely nothing, they leave Mika and Judith alone in the capable hands of Lizzie.  I am sure they regret that decision immediately when they get back to the house and notice Lizzie’s hands are covered in blood as Mika’s lifeless body is lying on the floor behind her.  But “don’t worry”, as Lizzie said, she didn’t hurt Mika’s brain.  Well as if this is not heart wrenching enough, Lizzie keeps shouting to ‘give her time’ and let Mika ‘come back’.  She also lets us know that she was just about to do the same to Judith.  Being as now at this point it is obvious to everyone that Lizzie is clinically insane [not just a sociopath and a zombie sympathizer, but clearly delusional] Carol and Tyreese make a silent pact that Lizzie cannot be around other people and therefore they need to ‘take care’ of her.  Carol, the self-made mercenary, takes a walk with Lizzie and in the middle of Lizzie apologizing and begging Carol not to be mad at her, she tells her to ‘look at the flowers’, which is part of Lizzie’s calming routine.  It is at that moment, mid sniffling apology, that Carol raises her revolver, and a shot is heard as the camera pans to Tyreese.  By the time the camera pans back to look at the field where Carol and Lizzie were standing, Lizzie is no longer standing. This is where all the conflicting views come about in the episode . . . did the writers go too far

Personally, if I was in Carol’s shoes, I would have never made sure Mika did not turn.  She should have tied Mika up like she told Lizzie she would do, and then let Mika have Lizzie turn.  I agree that Lizzie needed to be taken out, she was a liability to the group and a loose cannon, but I do think Carol’s way was a little . . . cowardly.  She shouldn’t have let Lizzie be crying and begging, going out thinking she was in trouble, she should have been like ‘you’re insane, try to give your zombie sister a hug and see what happens.’  While I disagree with Carol’s execution[7], I think the writer’s got the perfect response.  They kept us hanging on a line and obsessed with the show, as they always do.  The suspense of the kills, like held in every episode, was trumped by the sheer shock value of Lizzie’s manic downfall and Mika’s death.  For this reason I think The Grove may be the best episode in TWD history.  How do you feel about it?  Did the writers take it too far? Do you think Lizzie should have lived to die another day? Would love to get more opinions on this.




[1] Cute colloquialism for Internet.  This was noted in a previous blog. Get with it, people!
[2] Acronym for The Walking Dead
[3] Show term for Zombies
[4] Colloquialism for crazy.
[5] Carol HAD a daughter..HAD.  Lori died giving birth to Judith, but she certainly wasn’t the best mother for Carl.  Mika and Lizzie’s dad left them in the incapable hands of Carol, and what happened to their mother?
[6] Thanks to Beth and Darryl’s moonshine and bad memory induced house fire. (I love that the stories overlap)
[7] Literally and figuratively. (pun intended)

Friday, March 14, 2014

Every Action has a Reaction: If/Then Review

Life is full of choices; mundane choices you make every day, once in a lifetime choices, choices you do not think are important at the time, but every choice you make has an impact on your life.  Sure, whether or not you get an iced or hot coffee in the morning probably will not change your life, but perhaps stopping at a certain coffee cart may introduce you to the love of your life, and that is a choice.

I am a firm believer that all choices, no matter how small, have the potential to have a life changing effect on your life.  For that reason, I try to go with my gut at all times.  However, the thing that upsets me is that you never really know what would happen if you chose the other path.  Is there an alternate universe where you made a left instead of a right and your life is completely different?

Well, that may seem a little too crazy for most people’s thoughts, but the writers of Idina Menzel’s new play If/Then seem to have taken my train of thought. In an attempt to try new things, my writer friend Terri Ann[1] and I went to see this new play.  Terri was the first person who introduced me to the show, and after we purchased our tickets I started seeing a lot of commercials for it on New York 1.  First off, you would never be able to tell this show was just in its preview stage, the theater was jam packed with chatty theater goers eager for the show to commence.  Sitting in our seats waiting, I took a look around at the packed theater, and the stage.  The set was different; a modest urban setting with several movable pieces, but it was perfect for the play.

For those of you unfamiliar with If/Then and why I opened this piece with choices, I will give you some background.  The show revolves around Idina Menzel’s main character, Elizabeth, who just moved to the city to start a new life for herself.  The opening scene Elizabeth meets two friends in a park, new friend Kate, and old friend Lucas.  Both of these friends have completely different personalities, Kate being the carefree kindergarten teacher, and Lucas being the self-righteous activist.  Meeting these friends right off the bat gives Elizabeth two choices, does she go with Kate and become Liz, a lighthearted soul who follows love over her career, or does she go with Lucas and become practical Beth, a go-getter who puts her career and ambitions first?

What I liked most about this play is that it jumped right into the meat of the story within the first five minutes.  Idina’s character was given two choices, which may not seem like huge life-altering choices, but as the play continues it is revealed how much that first choice changed her life.  The play unravels in two tandem storylines, showing how her life would play out with either decision she made.  Because the story lines are going on at the same time, and she often switches from ‘Liz’ to ‘Beth’ in a moment’s notice, you may think it would be a little hard to follow, but I did not find that to be the case.  I did, however, find that it was hard to focus as there were so many fluid parts of the story going on, but it was easy to differentiate between the two lives she was living.

This play hit very close to both me and Terri Ann, as I am sure many others in the audience.  It was very realistic, relatable, and it is the second play ever to move me to tears [literally!]  If/Then was not only extremely interesting, but the storyline had so many unexpected twists and turns, it kept my full attention for the play’s entirety.  If you are going through a quarter life crisis, looking for a good date night play, or just something different to do, I strongly suggest going to see If/Then.  Fantastic storyline, great soundtrack, and perfect execution, If/Then is the play to go see this spring.  Trust me, you will not be disappointed.